"A library doesn't need windows. A library is a window." – Stewart Brand

Dec 21, 2010

Read Something! _Mother, Come Home_ (Paul Hornschemeier)

Mother, Come Home
PAUL HORNSCHEMEIER
2009
unpaged
Graphic Novel / Literary Fiction

Summary

A boy and his father try to cope after the boy's mother dies. Mother, Come Home is a powerful exploration of how we can either overcome tragedy or be broken by it.

Appeal characteristics
  • Frame: Told simply, from a child's perspective (although some comments are clearly those of an adult looking back) but nevertheless grapples with complex and difficult concepts
  • Frame: Frequent and adept use of metaphor (usually visual)
  • Plot: No happy ending
  • Characterization: Main character is a child who has to deal with emotionally difficult situations
  • ???: The art style is very clean; frames often just have a character or two in them and are not very "busy"
Other notes
Readalikes
  • J. R. Ackerley, My Father and Myself? -- similar frame of a son looking back on a troubled relationship with his father, but honestly not much else that I can think of as similar; I don't know why this feels like a good readalike to me

Dec 13, 2010

Read Something! _The Hidden_ (Bill Pronzini)

The Hidden
BILL PRONZINI 
2010 
210 pp.
Suspense?/General Fiction

Summary

Jay Macklin and his wife, Shelby, are off on a Christmas getaway to a remote cabin on the northern California coast. Jay hopes for a last few days of happiness before he must reveal a secret that might mean the end of their already rocky marriage.

But the couple gets far more than they bargained for when they find themselves trapped by violent storms, their only neighbors a set of two couples whose relationships are ugly on the verge of becoming violent -- and in the heart of a stretch of coastline haunted by a serial killer.

Appeal characteristics
  • ???: Basically no way to identify the killer before the very end of the book, but some red herrings that keep you guessing
  • Characterization: All characters (except those immediately dispatched by the killer as soon as they are encountered) play at least a minimally important role; there aren't a lot of extraneous people walking around
  • Plot vs. characterization: Heavy focus on characters for an ostensible suspense novel; much of the middle of the book is about Jay and Shelby's relationship, Jay's psychological state, etc.
  • Plot: Characters have major problems that are often surmounted with relatively little effort when the plot requires them to be resolved
  • Pacing: Fast-paced beginning with lots of mysteries, revelations, and suspense; a lull in the middle; an action-packed end where all of the surviving major characters are placed in mortal peril at least once
  • Pacing: All plot threads are wrapped up very quickly at the end
  • Pacing: Short chapters
  • Frame: Atmospheric in tone, with a general mood/feeling/atmosphere built up through careful use of detail and allusion
  • Frame: Third person limited point of view, alternating between Jay and Shelby's perspectives with an occasional chapter from the killer's point of view

Other notes
  • This book is not suspenseful in the gripping, heart pounding way I would expect from something marketed as "a novel of suspense." Perhaps it is literary suspense, but honestly I don't really find it suspenseful at all (which is not to say that it was not engaging or did not keep me interested).
  • My Noting: Books entry for this book: http://notingbooks.com/users/hbackman/readings/6057-The-Hidden-A-Novel-of
Readalikes
  • ???

Dec 7, 2010

Read Something! _Swift Justice_ (Laura DiSilverio)

Swift Justice
LAURA DISILVERIO
2010
290 pp.
Mystery/Chick Lit

Summary

Charlotte "Charlie" Swift's private investigation business is finally breaking even. Her life is self-contained and self-sufficient, save for the occasional drink with her neighbor or romantic overtures from cop Connor Montgomery.

Then her silent partner flees the country, and Charlie learns that his abandoned wife, Gigi, wants to hold on to the half-share of the business left by her husband and to be a partner -- but decidedly not a silent one. As Charlie tries to track down the mother of an abandoned baby, she sends Gigi on assignments that will hopefully put her off of PI work forever.

But then the baby's mother turns up dead, and multiple different people claim that the infant belongs with them. As Charlie works to untangle the mess, she finds that she may need all the help she can get.

Appeal characteristics


  • Frame?: Humor generously interspersed (often "slapstick" or goofy humor)
  • Frame: Mostly written in first person with a few third person limited passages
  • Frame: Lots of details are given about clothing, decor, etc.
  • Frame?: Charlie is threatened but never is placed in really serious danger; the book is generally to light to bear that
  • Plot: The case is not 100% resolved but the important facts are revealed
  • Plot: Female main character's love life is a fairly minor subplot, but regularly comes up as she periodically dates/flirts with/feels attracted to various male characters
  • Plot: Multiple subplots going on at once
  • Characterization: There are multiple minor characters, each with a defining characteristic or quirk (e.g. sexy cop, priest with a mysterious past, chauvinistic fundamentalist kook, ...)
  • Characterization: Strong female main character who can take care of herself, including physically - but who also has a more feminine romantic side brought out by men she's attracted to
  • Plot vs. Characterization: Unraveling the case is one focus of the book, but the development of Charlie and Gigi's relationship is another
  • Pacing: Suspense increases toward the end
Other notes

Readalikes
  • ???

Dec 2, 2010

Read Something! _The Story of a Marriage_ (Andrew Sean Greer)

The Story of a Marriage
ANDREW SEAN GREER
2008
195 pp.
Literary Fiction

Summary

"We think we know the ones we love," says Pearlie Cook. But when a stranger appears on her doorstep, Pearlie discovers that her husband has secrets she never could have guessed. Given an offer of freedom as yet unknown to her, for six months Pearlie struggles to understand who her husband really is, and what her own deepest desires might be.

Set in California in 1953 -- a world just out of one war and already engulfed in another, where the slightest hint of nonconformity is severely repressed, The Story of a Marriage is a novel about coming to know ourselves and the people we love, about the damage war does even to those who do not fight, and about the battles we fight to gain and keep our heart's desire.

Appeal characteristics

  • Plot: Love triangle
  • Characterization: Characters' histories are slowly revealed over the course of the whole book, gradually deepening our understanding of them as we learn new secrets
  • Plot/Characterization: Character-focused book; the point is the development of each major character and the relationships between them -- not much actually "happens", plotwise
  • Pacing: Fairly slow pacing
  • Frame: Meditative/introspective tone
  • Frame: First person narration
  • Frame: Some plot events and character backgrounds are integrated with real historical events of World War II and the early 1950s
  • Frame: The historical setting, while important, is not overemphasized; it is significant that the book is set in 1953 but more for atmospheric/thematic reasons than for the use of period detail (of which there is relatively little)
Readalikes

  • The Hours (Michael Cunningham)? Similar time setting (for one of the plots), focus on characters, literary writing... but honestly it has been several years since I read this and I do not have a solid idea as to why my brain is coming up with this as a suggestion

Nov 3, 2010

Read Something! _Ender's Game_ (Orson Scott Card)

Ender's Game

ORSON SCOTT CARD
1977
324 pp.
Science Fiction

Summary 

Decades ago, the buggers attacked. Then they attacked again. The next wave may spell the end of humanity's existence. Ender, a genius child, is in training to become the leader of the human forces in the next war with the buggers. But will the training itself break him -- or his enemies kill him -- before he graduates? And is even Ender enough of a leader and strategist to beat the buggers once and for all?

Appeal characteristics

  • Plot: One major plot, with one distinct subplot occasionally developed (and one semi-subplot, not really a plot but a trajectory followed by other characters that we see unfolding as well)
  • Characterization: Character-focused -- emphasis is on Ender's thoughts, emotions, and experience
  • Characterization: All major characters are genius children
  • Characterization: Most characters other than Ender (and Valentine?) seem a bit sketched out -- they feel like real people and yet we do not know a whole lot about them; Ender is very clearly the center of this book
  • Frame: Some ethical questions are raised (e.g. relating to destroying other species, the ethics of profoundly damaging one person to save the human race, etc.) but are not very deeply explored -- although the text is open enough to allow the reader to do that thinking/exploration on his/her own
  • Pacing: Card gives us several scenes from around the same time period, then skips forward by months to years at a time; as the book goes on the gaps in time are greater
Other notes
  • My Noting: Books entry on Ender's Game: (not available currently; at the time of this posting notingbooks.com was down)
Readalikes
  • ???

Oct 2, 2010

Tiny ponies

(Note to folks reading this on Facebook: If you could come to the actual post on my blog to reply to this one, I'd be grateful. It would be nice to have a discussion visible to people other than my Facebook friends. ;)  )

If you have not recently had cause to Google "tiny pony apple", then you may not have seen this amusing blog post about a small horse the author encountered in an Apple store that no one else in the store seemed to notice.

The post itself is very funny, but I'm not highlighting it here because of its humor. After telling his story, the author makes a broader point:

Since then, John and I have a term called a “tiny pony.” It is a thing that is exceptional that no one, for whatever reason, notices. Or, conversely, it is an exceptional thing that everyone notices, but quickly grows acclimated to despite the brilliance of it all.
Cell phones and the ability to make a phone call to anyone from anywhere is a tiny pony. The instant gratification provided by being able to have almost any question answered immediately is a tiny pony. Airplanes are tiny ponies. A black president, whose father is from Kenya and mother is from Kansas, being elected President of the United States is a tiny pony.
When does the magic of a situation fade? When do we get acclimated to the exceptional?Is this how we get by? Would anything get done if we were constantly gobsmacked? Is this how we survive, how we stay sane? We define a pattern, no matter how exceptional, and acclimate ourselves to it?
In the library world, I think we spend a lot of time talking about how to better market ourselves and the services we provide to our patrons. A lot of the time, the problem is that people aren't really aware of what we do. But I think that some of the problem is also that people know what we do but don't stop to think about how great it is that we can do these things for them.

What are the tiny ponies in libraries? How can we encourage the public to be consciously aware of these things? Is there a way to keep our clientele from getting "acclimated to the exceptional" when they interact with libraries, to maintain a high level of awareness and appreciation of the things we can do?

It seems to me that if we can answer these questions, we can start finding some really good ways to develop a deep sense of attachment and engagement in more of our patrons. We provide potentially memorable experiences to patrons every day. How can we help our patrons to view them as really memorable/exceptional/impressive?

Sep 23, 2010

Good news!

I haven't been able to get back on track with posting here yet because my life has rather unexpectedly continued to be crazy.

You see, just a few weeks after arriving back in MA, I've been offered a job!

In October, I will start as the Programming, Public Relations, & Outreach Coordinator at the Howe Library in Hanover, NH. (This is the position I mentioned interviewing for in my last post.) I am beyond thrilled. It is a dream job at a dream library. I get to not only do some reference and collection development work, but to do a lot of programming and a lot of work on connecting the library to the community and to other local organizations with which it could form mutually beneficial partnerships. This is exactly what gets me fired up about librarianship -- both reference work, which I love, and the chance to build connections, to do outreach, to find new ways for the library to meet the needs of its community. The Howe has strong community support, a commitment to excellence, willingness to experiment and innovate, great staff who seem very dedicated to their work, funding, a somewhat unique context for a public library... this job is going to really enable me to grow professionally in big ways while contributing to an amazing library. I am excited and ready to get going!

The new job does mean that my posting here will remain irregular for some time. As I get settled in I will try to resume a more regular posting schedule that works with my other commitments. But we have apartment hunting and moving to do, and then I have to get used to working full time and commuting (due to my partner's ongoing job search, we are at least for now going to be about 75 miles away from Hanover -- a sacrifice, but one that I ultimately feel will be worth it). I'll be sporadic at least for the next couple of months, I think, but after that I hope things will find a rhythm.

Sep 12, 2010

News

Hello everyone,

I'm settled in enough to make a quick post but not quite enough to make a longer one. So, some quick news/notes:

  • The move was fairly uneventful. A couple of our boxes did get destroyed in shipping, so we unfortunately lost a bunch of books. (Word to the wise -- don't ship via the US Post Office, or if you do, make sure you get insurance -- we didn't and they wouldn't even reimburse us the postage for the box that came completely torn up and empty.) We got to drive into MA via Route 2, which I loved -- lots of curvy hilly roads through (sort of) mountains.
  • I was ultimately not offered the job I interviewed for. The feedback I got when I asked how I could improve was very positive, though, which was encouraging -- I didn't do anything wrong, just got beat out by someone with a bit more experience.
  • On the very same day I heard about the job just mentioned, I was asked to interview for another position! It's a very similar kind of job (community outreach/public relations/program coordination plus some reference and collection development), and it's at a busy library that enjoys quite a lot of community support. I think the interview went reasonably well. It certainly made me even more excited about the position! The library building is lovely, and the culture meshes well with the value I place on customer service, staff participation in decision making, and collaboration. Plus: I met with a panel of staff members, and beyond being really nice people, they shared my interests: knitting, dogs, baking...
And finally, to make this post about something actually library-related...

  • I thought this post about treating your volunteers right on the Closed Stacks blog had a lot of good advice. Some of it is perhaps common sense (e.g. letting your volunteers know when your institution will be closed (!!)), but overall I think it provides good pointers on how to treat volunteers in a way that ensures both that they feel good about their service and that your organization benefits from their time. As someone who is likely to be overseeing volunteers in a future job (many of the postings I answer seem to include that responsibility) and who is interested in leadership and management, this was a very helpful post for me to read -- and I hope you'll find it helpful too!

Aug 15, 2010

Hiatus

Due to an impending move to another state, my ability to post to this blog is going to be interrupted. I will try to resume a (semi-)regular posting schedule as soon as I'm settled in.

(Because I know some people who read my blog will wonder, this isn't due to a job offer -- just to our lease running out. We're joining the ranks of those moving back in with parents until a source of sufficient income presents itself.)

Aug 7, 2010

Immigrants and book clubs

I thought that this article on immigrant readers (particularly in the context of book clubs) raised some interesting ideas for those of us working (or hoping to work) in communities with immigrant populations. As with any specific population, immigrants have particular needs, and there are particular ways of addressing those needs that may be more or less helpful to the population.

It is first important to recognize that "immigrants" are not a monolithic group. The article points out that immigrants can be seen as falling into two broad groups -- "newcomers" and "old-timers" -- and that these subgroups have quite different needs:
Technically, old-timers can be considered immigrants, but they are a distinctive category with different needs and goals who, by extension, require a different approach and services from public libraries. They are past "the most tumultuous period of language learning and career re-establishment"; and hopefully their lives have acquired "a more stable routine" that allows them to return to habitual leisure reading (Dali 216). Hence, their expectations of public library services can be much closer to those of native-born Canadians and Americans. They may still be looking for good reads in their native languages and might also become interested in something more. This "more" may very well reflect a desire to reach out to English-speaking readers who like the same books. While old-timers may no longer belong in book clubs for newcomers, they may still be apprehensive of joining book clubs for native English speakers.
This was a useful statement for me because I hadn't really thought of things in this way before. I was aware that immigrants who had been in the country longer would probably have very different needs from new immigrants, but I had tended to lump the former group in with the general population in terms of their needs. Upon reflection, it makes sense that even well-assimilated immigrants would probably continue to have somewhat different needs than the native-born -- that they would probably seek a continued feeling of connection with their home country, for instance.

The article also points out that there can be a wide range of literacy levels among immigrants. This can definitely impact service provision. For instance, an English learners' class that assumes a higher or lower level of general literacy than most of its participants have may not be effective. In the context of book groups, with which the article is particularly concerned, such groups (which can provide important opportunities for socializing and assimilation) may not be appropriate for immigrants who struggle to read; they may need basic literacy education first. (Alternatively, a book group targeted specifically at immigrants with lower literacy levels could be set up.)

The article also notes that even fluent English speakers may still want to read in their own language, but that that doesn't mean they would be unwilling to discuss books in English. For librarians looking to help connect immigrant and non-immigrant populations in their communities through book groups, one good suggestion would then be to allow people to read a book in any language, then hold discussion in English. As the article points out, this requires a bit more care in selecting readings -- they must be available not only in English, but in the primary language(s) spoken by the local immigrant community. (As an English major, I also fear that doing this would eliminate groups' ability to discuss the style of the book and the meaning of specific phrases, though those topics are perhaps of greater interest to academics than casual reading groups -- but that added difficulty would be more than compensated for by the opportunities to allow immigrants and non-immigrants to connect with each other.)

The article closes with a few suggested ways to engage immigrant readers in book clubs. One good and fairly easy suggestion is to make sure that immigrants know that book clubs are for them by creating promotional materials in multiple languages that say that people who have read the book in translation may join. (To go further, I would suggest acquiring copies of the work in translation as well as in English, if the library gathers copies specifically to lend to group members before the group, and advertising the availability of these translated copies.) The article also suggests conducting outreach through ethnic organizations, an idea that I really like. Outreach pertaining to book groups can be folded into a broader program of outreach to these organizations that advertises all of the things the library can do for their members.

This was a particularly interesting article for me since I'm under consideration for a position in a library that serves a substantial immigrant population, and I've been thinking about ways I could reach out to that population if I were hired. Although it's short, I think that it offers some good jumping off points and basic ideas for creating a book group experience that is attractive to immigrants, particularly "old-timers."